Atlanta Ballet 2 Dancers

Meet the Atlanta Ballet 2 Dancers

Caroline Giltner trained primarily in the Chicago area at Salt Creek Ballet, West Suburban Ballet, and Hinsdale Dance Academy. Most recently, she trained at the San Francisco Ballet School (SFBS). While at SFBS, she rehearsed with the company for performances of Helgi Tomasson’s Nutcracker and Sir Kenneth MacMillan’s Manon. Giltner competed at Youth America Grand Prix, where she was awarded top three in both Classical and Contemporary categories and competed as a finalist in 2022 and 2024 in Tampa and New York City. She has attended various summer intensives, including American Ballet Theatre in New York, San Francisco Ballet School, Joffrey Ballet Chicago, and in 2025 at both Tulsa Ballet and Philadelphia Ballet School as the Mary Ann Scholler Scholarship recipient.

Daniel Gray is returning for his second season with Atlanta Ballet 2, having trained in the Academy of the Atlanta Ballet Centre for Dance Education. An Atlanta native, Gray began dancing at age 8 at North Atlanta Dance Academy and joined the Atlanta Ballet Academy at age 11. He performed as Fritz in the 2018 world premiere of The Nutcracker by Yuri Possokhov and reprised the role the following year at the Kennedy Center with the company. He has also appeared in Coppélia, La Sylphide, and Giselle. Gray has trained on full scholarship at summer programs with Sarasota Ballet, Houston Ballet, Pittsburgh Ballet Theatre, American Ballet Theatre in New York, and Atlanta Ballet. He is excited to continue growing in this next season with Atlanta Ballet 2.

Sayaka Iwase was born and raised in Kumamoto, Japan, and started training at Yuriko Ballet Studio under Yuriko Tanoue. She continued training at The HARID Conservatory under Svetlana Osiyeva, Meelis Pakri, Alexey Kulpin, and Victoria Schneider. This is her second season with Atlanta Ballet 2.

Camille-Margaret Jackson was born in Lithonia, Georgia. She grew up with Atlanta Ballet; her training in the Centre for Dance Education started when she was four, and she moved to the Academy program at the age of 11. As a student, she danced in numerous school shows, as well as full-length works with Atlanta Ballet and Atlanta Ballet 2. As a choreographer, she had the opportunity to create her own works for the annual Spring Concert. Jackson has worked with new and former ballet masters, and the former artistic director of Atlanta Ballet, John McFall. In the Academy program, she worked with Yuri Possokhov for the premiere of The Nutcracker in 2018 as a 12-year old. She has participated in summer programs at Royal Ballet White Lodge and Covent Garden (receiving a direct invitation into the Covent Garden Summer Program) and Pittsburgh Ballet Theater, where she also choreographed a short piece for the end-of-summer demonstration titled Rococo. Jackson was offered a full merit scholarship into Pittsburgh Ballet Theaters Professional Training Division (Level 8) but decided to stay on her path with Atlanta Ballet. She joined the second company at 17 during the 23|24 season; her repertoire includes roles in Johan Kobborg’s La Sylphide, Yuri Possokhov's The Nutcracker, Annabelle Lopez Ochoa’s Coco Chanel: The Life of a Fashion Icon, George Balanchine’s Coppélia, Mark Morris’ Sandpaper Ballet, and choreography by her fellow second company members. As member of Atlanta Ballet 2, Jackson also danced soloists roles as The Evil Stepmother and Stepsister in the premiere of Bruce Wells’ Cinderella as well as The White Swan in Bruce Wells' The Swan Princess. Jackson is an Atlanta Ballet Centre for Dance Education Decade 2 Dance Scholar.

Stacey Johnson, from Entre Rios, Argentina, began her training in the Ballet Infanto Juvenil, Escuela de Musica, Danza y Teatro Prof. Constancio Carminio. In 2020, she joined the National School of Dance SODRE in Uruguay. At age 16, she was accepted to the Canada’s National Ballet School, from which she graduated in 2023 under the direction of Mavis Stains. This past year, Johnson trained at the Company Life Program, a program from Canada’s National Ballet School, where she had the chance to work with The National Ballet of Canada and performed Corps roles such as Snowflakes and Flowers in The Nutcracker by James Kudelka, and in Alice’s Adventures in Wonderland, Suite en Blanc, and Don Quixote by Carlos Acosta. While she is back in Argentina, she trains at her home studio, Estudio de Arte Carla Tista in Parana, Entre Rios. This is her second season with Atlanta Ballet 2.

Jacob Lainchbury is from London, England. He began his ballet training under the direction of Drusilla Duffill before joining the Royal Ballet School, aged eleven. During this time, he performed with the Royal Ballet company in Sir Peter Wright’s Nutcracker, Carlos Acosta’s Don Quixote and Christopher Wheeldon’s Alice’s Adventures in Wonderland as well as dancing many roles in school productions, such as August Bournonville’s Napoli and John Neumeier’s Yondering. In 2022, Lainchbury joined Canada’s National Ballet School, working with the National Ballet Company in James Kudelka’s Nutcracker, and performing principal roles in the Company Life Programme from Swan Lake, Giselle and Onegin. He also was part of the creative process and undertook lead roles in the Assemblée Internationale 2023 and Fall for Dance North, an international dance festival in Toronto. Lainchbury joined Atlanta Ballet 2 for the 23|24 season.

Emily McAllister was born in New Jersey and began dancing at the age of three. At age thirteen, she was awarded a full scholarship to continue her ballet studies at the Rock School for Dance’s professional ballet training program in Philadelphia. While training under the direction of Bojan and Stephanie Spassoff, and later under Peter Stark, McAllister danced in The Sleeping Beauty, Giselle, Don Quixote, The Nutcracker, and Les Corsaire. She was featured annually in the Philadelphia Fringe Arts Festival from 2018 until 2020. In 2023, she performed as the Sugar Plum Fairy in a Philadelphia Orchestra Concert at the Kimmel Center. McAllister has received summer training scholarships at the School of American Ballet, San Francisco Ballet, American Ballet Theater, and Tulsa Ballet where she was cast in various roles, including in The Sleeping Beauty and Paquita. She received numerous medals and was a finalist at the Youth America Grand Prix and was featured in Dance Teacher Magazine. In August of 2023, McAllister joined Orlando Ballet’s Second Company where she performed corps de ballet roles in Jorden Morris’s The Nutcracker, Christopher Stowell’s The Sleeping Beauty, and Kenneth Tindall’s Casanova. She is her second season with Atlanta Ballet 2.

Sakura Natorigawa began her dance journey in London at the age of 3 and received her early training in Japan and New York. At age 13, she joined the Ellison Ballet Professional Training Program in New York, where she attended for four years and graduated this past season. During her time at the school, she won numerous awards at international competitions including first place in Youth America Grand Prix and second place at the American Dance Competition Youth International Ballet Competition. In 2023, she took her studies to Germany to attend the Palucca University of Dance, Dresden. While there, she had the opportunity to participate in the prestigious Prix de Lausanne competition in Switzerland and was a winner of the 2024 Young Creation Award.

Avery Nelson, originally from Seattle, Washington, joins Atlanta Ballet 2 from the Atlanta Ballet Centre for Dance Education Academy VI. She began her ballet training with Sally Tierney and was accepted to The Washington School of Ballet’s (TWSB) Professional Training Division under the tutelage of Xiomara Reyes, Rinat Imaev, and Artistic Director Julie Kent. While with TWSB, Nelson was selected to perform alongside The Washington Ballet in Corps roles, including “Swans” in Julie Kent’s and Victor Barbee’s staging of Swan Lake at the John F. Kennedy Center for the Performing Arts and in “Snowflakes” and “Waltz of the Flowers” in Septime Webre’s The Nutcracker. She received the Award of Excellence from the Cecchetti Council of America and holds certifications in grades I-VI. Nelson has spent her summers training with American Ballet Theater, The Washington School of Ballet, The Rock School, and Atlanta Ballet. This is her second season as an Atlanta Ballet 2 member.

Isabela Oku, originally from São Paulo, Brazil, began her dance training at Studio de Danças Márcia Pee and, at age 12, was accepted into the Dance School of the Theatro Municipal of São Paulo (EDASP). She participated in several national and international competitions, including Premio Internazionale Danza (PID) in Rieti, Italy; Youth Grand Prix Brasil; and Valentina Kozlova International Competition. She attended American Ballet Theatre’s virtual summer intensive in 2021 during the pandemic and the Kaatsbaan summer intensive in 2022. In 2023, she was accepted into the Atlanta Ballet Centre for Dance Education Academy program and moved to Atlanta. Last season, she had the privilege of performing the role of Young Marie in Yuri Possokhov’s The Nutcracker, and over the past two seasons performed Snowflakes and Flowers in the same production. Oku also performed in Coppélia by George Balanchine. Oku has been promoted to Atlanta Ballet 2 from the Centre for Dance Education Academy 6.

Leo O’Reilly Okuno, originally from Huntington, West Virginia, began his ballet training with Huntington Ballet Theatre and American Academy Ballet in West Virginia before training with the Sarasota Cuban Ballet School in 2020. After winning best Pas De Duex at the National Ballet Competition in 2022, O’Reilly Okuno was invited to the Conservatorio Internacional de Danca Annarella Sanchez where he stayed for two years and danced in full-length productions such as Maina Gielgud’s Don Quixote, Graduation Ball with Venus Villa, and Le Corsaire with Alexander Santana. This is his second season with Atlanta Ballet 2.

Dyhan Pierre, a native of Belo Horizonte, Brazil, started dancing at the age of five in Aglomerado da Serra, where he spent his childhood. Pierre received a scholarship to study contemporary dance at the Escola do Grupo Corpo, home of the internationally acclaimed dance company, Grupo Corpo. He excelled in the Intensive Dance Courses under the artistic direction of Reynaldo Muñiz, where he performed in classics such as La Fille Mal Gardee, Giselle, Coppelia, and Swan Lake. Pierre had the privilege of learning from renowned instructors, including Bethania Nascimento F Gomes from the Harlem School, Reynaldo Muniz, Ana Maria Campos, Amilcar Moret, Dadyer Aguilera, Danielle Pavam, Regina Amaral, Tindaro Silvano, Fernando Maciel, Leonora Lima, Leydi Escobar, Olivia Muniz, Olga Dolganova, Jose Antônio Ramos, Wladimir Rybyakov, Miriam Tomich, Renata Araújo, Everson Botelho, Elias Bouza, Thales Buzelin, Cecília Kerche, Nora Esteves, and Sergio Yannelli. He has also participated in competitions such as the Youth America Grand Prix (YAGP) 2021, the Passo de Arte, Arte Minas, Ateliê da Dança, and Grand Prix Brazil. Pierre spent a year as an understudy with Grupo Corpo, under the direction of Paulo Pederneiras and choreographer Rodrigo Pederneiras, before joining Atlanta Ballet 2 for the 23|24 season.

Ícaro Queiros is from Goiânia, Brazil and started his studies in classical ballet and modern and contemporary dance and participated in several choreographic processes, at Núcleo de Artes Cênicas Sebastian, under the artistic direction of Sacha Svetloff. He continued his training through a scholarship at the Cisne Negro Ballet Studio, and then as a student in training and a dancer in the semi professional group at Estúdio Movimento em Foco. Queiros has performed in various productions, including Don Quixote and Nutcracker with Estudio de Ballet Cisne Negro, and Swan Lake, Romeo and Juliet and The Pharoah’s Daughter with Teatro Escola Basileu França. This is Queiros' third season with Atlanta Ballet 2, having joined from Cia Jovem Basileu França.

Gianni Salazar is from Bradenton, Florida and began dancing at the age of eleven, originally focusing on Jazz, Tap, Hip-Hop, Ballroom, Modern, and Contemporary dance at Manatee School for the Arts in Palmetto, Florida, before switching his focus to ballet at the age of 15. After attending the 2022 Sarasota Ballet summer intensive, Salazar accepted a scholarship for a trainee position at the Sarasota Ballet’s Margaret Barbieri Conservatory under education director Christopher Hird. He maintained his scholarship throughout both the 22|23 and 23|24 seasons, competing and winning awards and scholarships through prestigious international ballet competitions. Salazar performed roles such as the Nutcracker Prince in Risa Kaplowitz’s Nutcracker with the Sarasota Ballet School, performed new works such as Icicles by Maria Konrad, and Luminosity choreographed by Lindsay Fischer alongside the Sarasota Ballet’s Studio Company. He also worked with the Sarasota Ballet Company, learning corps roles in Sir Fredrick Asthon’s Sinfonietta and Dante Sonata, as well as George Balanchine’s Theme and Variations and is currently a student at the University of South Florida working towards a Business degree. This is his second season with Atlanta Ballet 2.

Eliza Soto was born in Glendale, California and began her formal ballet training at the Marat Daukeyev School of Classical Ballet. After relocating to Dallas, Texas, she studied at the Classical Training Program under the direction of Ashley Ellis and George Birkadze. At the Classical Training Program, Soto had the opportunity to perform in multiple full-length ballets, where she danced lead roles such as Gamzatti, Giselle, and Sugarplum Fairy. Soto competed at Youth America Grand Prix, where she was awarded first place in the Classical Category and competed as a Finalist in 2022 and 2023. The Youngarts Foundation also named Soto a "Finalist with Distinction," and she performed at Youngarts Week in Miami, Florida. There, she was awarded a scholarship from the foundation based on her performance and dedication to the arts. This is Soto's second season with Atlanta Ballet 2.

Tommaso Troso is from Naples, Italy, and began his ballet training in 2018 at the Centro Danza Ballet Studio. In 2022, Troso was awarded a scholarship from the Birgit Keil Foundation, which supported his studies at the Akademie des Tanzes in Mannheim, Germany that year. He then continued his training under the same scholarship for two further years at the John Cranko Schule in Stuttgart, Germany and graduated in 2025.

Kahlen Wright was born in Tokyo, Japan, and moved to Atlanta, Georgia at the age of 3 where she began training at the age of 4 in hip hop, jazz, tap, and contemporary. She joined Atlanta Ballet Centre for Dance Education in Academy 1 in 2016 and progressed through all six levels. During her time in the Academy, Wright was awarded a Decade 2 Dance scholarship. She worked with choreographer Yuri Possokhov on the world premiere of Atlanta Ballet’s The Nutcracker, performing as a party child and Fritz in the early years. From 2022 to 2024, Wright danced the role of Young Marie and, while in Academy 6, performed in the Snowflakes and Flowers scenes. She also performed student and corps roles in George Balanchine’s Coppélia and Johan Kobborg’s La Sylphide. Additionally, she participated in many ballets choreographed by Bruce Wells, including Cinderella, Beauty and the Beast, The Swan Princess, and Snow White.

Rachel Olivia Zinman is from Montreal, Québec where she trained as a competitive gymnast until age 11. She then joined Canada’s National Ballet School in Toronto, Ontario where she studied for the next six years. During her time at the school, Zinman performed in the 2015 Pan American Games opening Ceremony, and participated in Assemblée Internationale in both 2017, and 2023. In grade 11, Zinman returned home to Montreal, where she was granted the opportunity to work with John Alleyne, a mentor who played a pivotal role in guiding her transformation from student to dancer. Upon graduating National Ballet School, Zinman spent a year in their Company life program and was then offered a contract with Atlanta Ballet 2, where she had the opportunity to perform in a variety of acclaimed productions, including La Sylphide, Coppélia, and Coco Chanel: The Life of a Fashion Icon. She also portrayed both Odile and Odette in Bruce Wells’ The Swan Princess. After completing two years in Atlanta Ballet 2, Zinman is being promoted to Atlanta Ballet as a company dancer for the 2025-26 season.

Atlanta Ballet 2 photos by Kim Kenney.